Archive for September, 2009

Porcupine Tree – The Incident

PTreeJust a couple of listens so far, but the new album by Porcupine Tree is a wonderful thing to behold (whose line is that?)

It’s a two disc collection – the first disc comprising an extended piece of 55 minutes. In the form of a suite of 14 songs, the music and lyrics are the reflections of Steven Wilson arising from an accident he observed whilst waiting in a traffic jam. The title comes from the road sign “Police – Incident” which he thought was a really cold way to describe what was happening.

This disc does bring us to the realisation that prog rock is well and truly back. The idea in the 70s that punk swept away prog excesses with the return of the 2 minute hit (‘New Rose’ by The Damned had a cover of ‘Help’ by The Beatles that went so fast it was under 2 minutes!) – was never very convincing when you look at the speed with which bands like Public Image were experimenting with form and length.

Porcupine Tree have always pulled themselves in two directions probably led by the fact that Steven Wilson seems to like melody and noise in equal parts. At its most pop, this album is beautiful – at its noisiest it does something wonderful too.

The second disc is a short EP-length work of 4 tracks. The whole thing needn’t have been spread over two discs but I think it works better that way. I’ve listened half a dozen times so far, and am getting hooked into this album…

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Sacheverell Sitwell

Sacheverell Sitwell

Sacheverell Sitwell

I mentioned in an earlier post that I stumbled across the work of Harriet Martineau again recently. Another book which I remember being fascinated by when I was a student was ‘For want of the golden city’ by Sacheverell Sitwell. I had developed an interest in the Bloomsbury set along with friends of mine at the time. I had been particularly taken with the work of Virginia Woolf. This was the early 80s and the New Romantics were dominant in popular music. A group of us in Liverpool were looking for influences. The Sitwells caught our attention. I read the poetry of Edith Sitwell and some of the autobiographical work of Osbert Sitwell (I picked up a volume in a bookshop in Liverpool called Atticus).

Then one day I was wandering around Central Libraries in Liverpool, which has the most beautiful reading rooms and an amphitheatre shaped international library. I came across ‘For want of the golden city’ by Sacheverell Sitwell and began reading the first few pages as I sat on the floor. I was absorbed by the writer’s ability to capture so much with a wide sweep of thinking. He demonstrated a new renaissance attitude, an interest in learning across disciplines for the sake of learning, rather than for some utilitarian purpose. I was enthralled.

I was brought back to this book a few weeks ago when I met an old school friend in the doorway of Central Libraries. A week later I searched on Amazon and discovered that the book is out of print. A further search of my local library catalogue tracked down a copy which I am now reading. 

Thirty years brings a change of perspective, but I still think the book is fascinating. Sitwell’s writings stand the test of time well. John Betjeman said the following about him:

“What a relief you are after the fearful pedantry & dull art history which kills enjoyment & just gets scholarships for people and breeds more dullards. You are a life-enhancer.”

He wrote 135 books, only one novel, but a host of books on art, architecture, music (including biographies of Mozart in 1923, and Liszt in 1934) and many travel books. He was made a Companion of Honour and also Honorary Doctor of Sheffield University in 1951. With so many books written, I guess it is not a surprise that this particular book is out of print, but I would recommend a browse through any of his books. 

 

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Scrapes against the soul – nearly there

trying to find something which doesnt exist

trying to find something which doesn't exist

The latest collection of poetry is nearly completed. I am in the middle of the final poem which is an extended piece called ‘seventy nine to eighty two’. 

Here’s a verse from it:

Watching bands at Eric’s – seeing Simple Minds
Keyboard player with his head between the beams
Music bouncing off walls, everyone saying look at me
- Looking and seeing ideas for the next night out

I have found an old painting of mine which I am going to use for the cover of the book. You can see it in this post. It’s a watercolour in the form of a mandala. I’m not really much of a painter, but I liked this image, particularly when I scanned it into the laptop.

I have posted several of the poems from this collection over recent months. The middle section of the book comprised a series of poems each beginning with a line from one poem by Robert Bly – this was an interesting process which took my writing away to topics which I wouldn’t have otherwise discovered.

Once I have completed the book, I will post a pdf  of it for free download. Watch this space, as they say!

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Harriet Martineau in the 1980s

MartineauJPGI am in the middle of writing an extended poem (100+ lines) at the moment, which will be the final piece in my latest book of poems. It is about my experiences of Liverpool in the late 70s and early 80s. As I write it, many memories are being evoked. The motivation behind the writing was an exhibition of photographs by Francesco Mellina which appeared at Liverpool’s National Conservation Centre recently. These pictures captured the scene which I was part of at that time. I have also reconnected with some of my old school friends over recent months.

Many of these memories are opening up experiences from that time. I am reminded of writers, musicians and artists that I was following then. Amongst these is the work of Harriet Martineau. She lived from 1802 to 1876 and was a writer, philosopher and the first female journalist in the UK. She was also considered to be an early feminist and probably the first female sociologist. She was a prolific writer whose work I dipped into. I was particularly taken with the breadth of her work and her interests. I was fascinated by the idea that it is the intersections between topics, genres and disciplines that brings really rich content. I have continued to develop this passion over the years. It is very much an obsession for me today. As I write this I am dipping into ‘Biographical Sketches’ by Martineau and remembering the immense learning which I acquired from reading her nearly 30 years ago.

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At St Deiniols Library

outside_stdeiniols3

I’m at St Deiniols Library writing this. For years I have dreamed of a secluded place to hide away and write. A few years ago I spent a weekend at the Manjushri Buddhist Centre in Cumbria – but that is a significant distance from where I live. St Deiniols is the only Residential Library I know of.  It is located in the small village of Hawarden in Wales. It has a book collection of over 250,000 items which is incredible.

It’s one of those things that you want to tell people about because it is amazing, but not tell too many people because you don’t want its seclusion to be spoilt. The library is located in an old sandstone house which belonged to Gladstone. He began the library and it still runs along the principles that were originally set by him.

I’m going to use this place to push forward the various manuscripts I am currently working on. It will be a great place to escape for realistic chunks of time and create.

The books I am currently working on are:

  • Archetypes at Work  – which sets out practical applications of archetype theory in organisations (much more accessible than I am making it sound)
  • Coming through Change – a guidebook for personal survival in times of change
  • Scrapes against the Soul – the latest poetry collection

You can see excerpts from each of these manuscripts by clicking on links on the right. More extracts will appear over the coming weeks and months.

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Pattern Disruptors

The brain works best when it has a pattern to recognise. When we are young this is how we multiply the capacity to learn. Rather than seeing everything as fresh and having to decode it, we search through our neurone connections for something that resembles what we are seeing. So, when we see a dog, we will make connections to any previous experiences of dogs and that will give us a wealth of information about dogs – what they look like, how they act, whether they are dangerous etc. This can be helpful for learning, but it is also important to ensure that we live safely.

So far so good! Problems arise with this though, when we come to realise that sometimes patterns do not serve us. These patterns, for example, can help to build phobias. Thus, an unpleasant experience whilst at a height at a young age can contribute to a fear of heights in the future.

I am laying this out in a simplistic way to illustrate the point. We build patterns over time and these can be incredibly useful or they can develop inhibiting loops which are not so helpful.

In our relationships with others we form all sorts of assumptions based on information. Thus, when someone tells us what they do for a job we will make judgements about their character based on that information. Sometimes this helps, often it doesn’t. We will also sometimes form judgements based on the way someone looks. If they resemble someone we already know we may think at a sub-conscious level that they will be similar. This is clearly bad logic!

When the pattern formed is unhelpful, or leads to bad logic we need to introduce pattern disruptors to dislodge the loop so that we think afresh and are able to start with new sets of assumptions. There are a number of ways we can do this. Examples would be:

  • Renaissance as a strategy (see earlier blog post)
  • Proactive steps and actions to disrupt the pattern
  • Encouraging reflection – time spent considering the pattern will help to unpick bad logic
  • Distraction techniques – designed to stop the brain from following the loop
  • Physical connection such as tapping or pressing fingers together to distract thinking and disengage an existing loop

Many of these techniques can also be adapted more broadly to tackle wider issues of organisational change where groups of people are working within patterns. Peter Senge’s work in this field (The Fifth Discipline), which looked at loop patterns and disruptors, is particularly useful.

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