Archive for October, 2009

Print on Demand

I am looking at print-on-demand publishing services like Lulu.com and Createspace.com. Both of them offer services which mean that you can turn a pdf file into a book manuscript which can then be printed off as a book. These can be printed when required so rather than printing a thousand books and watching them gather dust in cardboard boxes, it is possible to print off individual copies as required at an economically viable cost.

Now, unless I am much mistaken, some detailed research suggests that Lulu is probably a better service if you are based in the UK, because the other service (which is owned by Amazon) only prints in the US.

There is also the option to produce books through both services, although this might be somewhat cumbersome. Any views on the two services are welcome – just post a comment on this post.

I’m going to use this service in the next few weeks to produce the first couple of books. This is a real move forwards for my publishing press (bluewater books), which until now has only produced hand-printed chapbooks. I’m looking forward to experimenting, and will blog about the progress with it over the coming weeks.

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Keep it Simple Stupid

DriftwoodI am in the middle of a few hours working on the ‘Archetypes at Work’ manuscript. I have pushed the word count up to 18,000 words which is really encouraging.

I have just used a quote from Bartok:

“What is new and significant must always be connected with old roots, the truly vital roots that are chosen with great care from the ones that merely survive.”

In striving to produce something startlingly different which pushes into new territory we always need to help the process of communication by creating hooks for the audience. Bartok did it by pushing music into new soundscapes whilst drawing heavily on the folk and ethnic music of his homeland, Hungary. He and Zoltan Kodaly were active musicographers – generating a growing archive of the history of Magyar music. This simultaneous exploration of the historical context with the pushing out into new territory is key to charting new territory.

So, complexity for its own sake, working against the conventions just to be obtuse is counter-productive.

I read a book a few a few years ago by an academic from Warwick University, Gibson Burrell (now at Leicester). The book was called ‘Pandemonium’. It was about a post-modernist approach to organisation studies. In keeping with the subject it was laid out in an unusual format with the text working from front to back for the top half of the page, then from back to front for the bottom half. It was an imaginative approach which worked well. A departure from the norm – but there was a clear guide to get the reader through the book.

So, the point of this post is to remind me that if I experiment, I need to ensure that the communication is not lost because of the lack of cues or clues for the reader. In the words of the title, by all means explore complex issues and enjoy the journey – but remember the acronym KISS – keep it simple stupid!

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Scrapes against the soul – why so long?

I said in mid-September that I had nearly completed the latest poetry manuscript, ‘Scrapes against the Soul’. Well, I have been stuck on the last poem for a few weeks now. It is a long piece which captures my experiences of Liverpool in the late 70s and early 80s.

I’m hoping to have it finished before the end of this month. As soon as it is finished I will be posting a pdf for free download – and it will be possible to buy a hard copy of the book too, very soon.

I have also begun work on Collected Poems: Volume One which covers 1985 to 1996. More news on this very soon.

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Carol Ann Duffy at Wirral Book Fest

carol_ann_duffyDo you ever buy tickets for something, think it’s a good idea at the time, then have serious second thoughts as the date looms? I saw this event recently – the Poet Laureate for the UK appearing at a reading in the Wirral. It seemed too good an opportunity to miss.  But on the night, I was wondering whether there would be a tiny audience. Poetry readings can be tedious to say the least!

I was surprised – 300 people turned up. They weren’t disappointed. The evening began with 3 young poets from the Wirral Young Poet Laureate scheme who each read a group of poems.

Carol Ann Duffy presented for just under an hour. Her readings were magnificent. Just the right amount of explanation, description and context setting for each poem. I loved her poems based on myths, with a feminist twist or a different take. Excellent. She ended the reading with a poem she had been working on that afternoon – a poem about war, with many place names read out like the tolling of a bell. The presence of local place names gave a particular resonance to this. Powerful stuff.

The evening was organised by the local library service – it’s good to see something which draws in readers and writers to the enjoyment of literature. And it was also great to have some of my preconceptions dispelled so effectively. A good night out.

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David Sylvian – Manafon

david_sylvian_manafonRegular readers of my blog over the last few years will know that I love the music of David Sylvian and have been a big fan since the early days of Japan back in the 70s. His solo career has been an eclectic and diverse mix of albums with a stunning array of musicians from jazz, avant garde and ambient.

His latest album was talked about on internet based mailing lists for the few weeks before release, and there were clips on his website to listen to. It was clearly not going to be an easy listen. Alongside Christian Fennesz who worked with Sylvian on his last solo album (the stunning track “Fire in the Forest” from ‘Blemish’) are a wide range of avant garde musicians including Evan Parker and John Tilbury.

It has taken me a couple of weeks to get to listen to this album properly. It is not the sort of album to put on in the background. Over the last few days I have listened to it on headphones. Sylvian’s voice is placed way up in the mix and the other instruments create a subtle soundtrack in the background. Most of this is missed unless you use headphones. It is a difficult listen, but one that is rewarded massively. The sounds are so stripped down that it takes a while to figure out what is going on. But there is structure here, and the lyrics and voice of Sylvian hold the whole thing together. Many critics, including Ian Penman writing in the latest issue of The Wire, say that they have lost it with Sylvian. They think that he has pushed his music into a cul-de-sac. I don’t agree. I think this album is a staggering achievement. To take the fractured, fragmented and skeletal sounds of the two groups which he worked with on this album and craft the resulting work, is remarkable.  I feel like I have really only scraped the surface of the nuances in this music. It is a work that truly repays the effort put in.

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Friday Playlist #5

A lot of posts to this blog are about music at the moment. There’s a lot of stunning music around to listen to. Here’s a Friday playlist:

1. Porcupine Tree – The Incident

Already reviewed this. It’s their best album to date. The range of music and variety from intense to melodic.

2. David Sylvian – Manafon

Review coming – music that requires effort to listen to. Worth it for the pay-back.

3. Jonsi & Alex- Riceboy Sleeps

Best ambient album I have heard in a while.

4. The Duckworth Lewis Method – The Duckworth Lewis Method

An album about cricket from two Irishmen! Neil Hannon from Divine Comedy shows what a great lyricist he is. It’s ELO meets 10CC.

5. Madness – The Liberty of Norton Folgate

A concept album from Madness – whatever next. Great tunes and a massive track to finish the album.

6. Bach – Mass in B Minor

Listening to this is like a marvellous antidote to modern living.

7. Porcupine Tree – Stupid Dream

An older album by the band – not as good as the new one, but great tunes and it really rocks.

8. A-ha – Foot of the mountain

I’ve always loved the music of A-ha. This new album by them is a return to form (a cliche I know, but it is!)

9. Jan Garbarek Group -Dresden

If you search for Garbarek in this blog you’ll find earlier reviews including a live concert I saw. This new double live album is wonderful. Eberhard Weber is still not around, due to having had a stroke, but this new line-up produce great music.

10. Keith Jarrett – Testament: Paris / London

ECM go from strength to strength. This is a live triple CD of two concerts. Spontaneous composition / improvisation. Beautiful melodies plucked out of the air by Jarrett.

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Archetypes at Work – Notes for a book #3

Archetypal Descriptors are evident in the work of Handy, Morgan and Neville & Dalmau. In most cases a formal mythological framework is used. Most commonly this tends to be Greek Mythology, since this is a symbolic structure with a wide currency. Having set out the limits to the approaches already developed in this area, the Archetypal Casting Toolkit  which I have developed is contrasted with this metaphorical approach. The work of Morgan is central to metaphor and organisations. My development in this field sets out to demonstrate that analysis of this form is a useful background to more detailed specific work on individual analysis.

In interpreting the interactions of communities as they exist in the organisational context, it is important to ensure that the overall approach avoids the tendency to over-simplify. This is the weakness of a metaphorical approach alone that focuses too much on the organisation as an entity in itself, rather than unravelling in more depth the interactions and complexities of the numerous scripts that are in evidence.

However, the use of archetypes as themes that can be used as overlays, can generate evidence of the type of culture that prevails, a way of interpreting what is going on.

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