Posts Tagged Art

Scrapes against the soul – nearly there

trying to find something which doesnt exist

trying to find something which doesn't exist

The latest collection of poetry is nearly completed. I am in the middle of the final poem which is an extended piece called ‘seventy nine to eighty two’. 

Here’s a verse from it:

Watching bands at Eric’s – seeing Simple Minds
Keyboard player with his head between the beams
Music bouncing off walls, everyone saying look at me
- Looking and seeing ideas for the next night out

I have found an old painting of mine which I am going to use for the cover of the book. You can see it in this post. It’s a watercolour in the form of a mandala. I’m not really much of a painter, but I liked this image, particularly when I scanned it into the laptop.

I have posted several of the poems from this collection over recent months. The middle section of the book comprised a series of poems each beginning with a line from one poem by Robert Bly – this was an interesting process which took my writing away to topics which I wouldn’t have otherwise discovered.

Once I have completed the book, I will post a pdf  of it for free download. Watch this space, as they say!

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Leonardo – so much influence from so few paintings

'Madonna Litta' by Leonard da Vinci

'Madonna Litta' by Leonardo da Vinci

I’m reading Michael Gelb‘s ‘How to think like Leonardo da Vinci’ which is an excellent book. I’m working through many of the exercises and finding them deeply inspiring. Over the weekend I did the 100 Questions exercise. It’s simple – in one sitting write down 100 questions in your journal that are signficant to you. Don’t worry about grammar or spelling, and don’t worry if they are repetitive. This was a really powerful exercise. I’ve extended the exercise a bit by getting hold of a new notebook where I am going to generate thought-pieces on each of the questions, unpacking what they mean to me.

Anyway, the reason for this post was to highlight one small fact which I came across in the Gelb book, which staggered me. There are only 17 paintings by Leonardo da Vinci which have survived – that’s an amazingly small number. We all know many of these paintings. Of these, several are not finished!

Leonardo also produced an enormous volume of notebooks and drawings. But it’s the idea that he has developed such a formidable reputation as a painter from such a small body of work.

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Global Children’s Art Gallery

I first found this website a couple of years ago. Another look today, and I see that it is still thriving. So many websites are ephemeral – they come and go. But ones like the Global Children’s Art Gallery deserve to persist as the web grows and evolves.

Put simply, the site is a collection of children’s art – totally inspiring. When you consider that many great artists aspire to be able to rediscover the innocence with which they painted when they were young, it makes sense to put together such stunning work.

Every child is an artist. The problem is how to remain an artist once we grow up.“- Pablo Picasso

The project belongs to the Natural Child Project – “Our vision is a world in which all children are treated with dignity, respect, understanding, and compassion. In such a world, every child can grow into adulthood with a generous capacity for love and trust. Our society has no more urgent task.”

The Global Children’s Art Gallery now features 1,050 pictures by children from 67 countries. Browse all the pictures, and order prints, posters, greeting cards and clothing to support our work. Take a look.


[From the 'Things I found' archive]

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Tate Gallery, Liverpool – Gallagher & Blake

We went to the Tate Gallery in Liverpool at the weekend. Liverpool’s preparations to become European City of Culture next year are going well. There are new buildings appearing all over the city centre, and the roads are slowly improving as a result of much road digging and disruption.

There were two fabulous exhibitions which we saw. The first, on the ground floor, is by Ellen Gallagher. To quote the Tate’s site:

“Ellen Gallagher (born 1965) is a leading contemporary painter who also creates drawings, prints, sculptures and films. Her works explore the language of Modernist painting with symbolic or narrative content, often touching on issues of representation. In her recent work she has explored the myth of Drexciya – populated by a marine species descended from captive African slaves thrown overboard for being sick and disruptive cargo during the gruelling journey from Africa to America. Ellen Gallagher’s Tate Liverpool exhibition includes a range of work to reflect the breadth of her practice.”

The work is very subtle, requiring lots of close attention. I really liked the mythical underpinning to the collection.

The other exhibition was a major retrospective of the work of Peter Blake. Most people will be aware of his paintings in the form of pop culture, particularly the cover to ‘Sgt Pepper’s Lonely Hearts Club Band’ by The Beatles. He also did the cover to ‘Stanley Road’ by Paul Weller and the recent compilation album by Oasis.

The impressive thing about this exhibition is the sheer range of Blake’s work. When an artist becomes famous for a particular style, it is easy not to realise the sheer breadth of work achieved, as is the case with Blake.

There are paintings from his Pop art work in the 60s. But there are also paintings that are more abstract, many pieces which use collage, and a series of illustrations for Alice in Wonderland. This is the largest exhibition of his work since 1983 and contains paintings drawn from a wide range of galleries. The work divides into sections:

  • The 1950s
  • Pop
  • Deja vu
  • Wrestlers and Pin-up girls
  • The Brotherhood of Ruralists
  • Venice Beach
  • The National Gallery Residency
  • Marcel Duchamp’s World Tour
  • From this moment on…

The final section contains paintings which are unfinished. It’s an inspiring exhibition. Whatever your own art form is, the range of work by Peter Blake and his ability to borrow from others and make things his own, makes me want to experiment myself. I was impressed with Peter Blake’s technical ability and his creative range. An exhibition well worth a visit!

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He’s Mark Rushton, He makes music and art

I have been following the work of Mark Rushton for a couple of years now. He used to run a website called ‘Hooray for Vouvray’ and then migrated all of his activities to his own domain. As well as creating ambient and drone music, he is also a painter. He produces a new podcast every month or so with samples of the music he is working on. Well worth a listen.

One thing I particularly like about the site, is watching someone who is clearly following their passion.

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Sigmund Freud – Leonardo da Vinci

“Leonardo da Vinci” by Sigmund Freud was a book which I bought at the local library in a sale. Every few months they clear books and sell them on at ridiculouly low prices. Amongst the stack of trashy novels and last year’s annual books there are usually some real treats.

It took me a while to settle to read this book by Freud. I’ve read a lot of the works of Carl Jung. I did a PhD thesis which drew on the work of Jung (see here for an article from the thesis). In spite of the fact that Jung and Freud diverged hugely in their respective psychologies, I am also interested in the work of Freud. As ever, it is probably the middle ground which is the most interesting, rather than a simple “either / or” argument.

Freud’s book on Leonardo da Vinci has an intriguing idea behind it. He sets out to carry out a psychoanalysis on Leonardo working only with the details of biography and the works that Leonardo left. This amounts to a significant amount of journal material as well as the paintings.

As ever with Freud, the book is beautifully written. The gist of his argument is that Leonardo was celibate and gay. Some of the arguments are stuck in their historical context. He makes some preposterous assertions about homosexuality – claiming that it can be caused by issues around bonding to parents. Ultimately the arguments put forward in the book lack coherence. They are just not entirely convincing. There is also an extended passage where Freud interprets a dream described by Leonardo in his journals, and draws some quite remarkable assertions. As so often with Freud, the sexual urge is given far too much emphasis.

However, even though the arguments don’t stand up, I am intrigued by the basic idea that an analysis can be carried out on a figure based on secondary sources.

It probably doesn’t make sense as a science, but as an art form I think it has endless possibilities.

So the book was well worth a read for the ideas it has generated even if it had shortcomings. I’m reminded of the early novels of Michael Ondaatje, particularly “The Collected Works of Billy the Kid” which combined fact and fiction really well. Many novelists have used this sort of technique.

It would be really interesting to see more of the interface between fiction and psychology in this setting.

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Creativity and Robert Fritz

Some time ago I read a book by Robert Fritz called ‘The path of least resistance’. It was a marvellous exposition of uses of creativity. I thoroughly enjoyed working through it.

Well, you often find yourself going around loops and back to where you started. At the moment I am reading Peter Senge’s ‘Fifth Discipline’ and in searching through associated websites on the net (www.fieldbook.com) I noticed that Robert Fritz has worked with Senge. I then found a Fritz website (www.robertfritz.com) and reference to a couple of new books by him. One is called ‘Creating’ and sounds fascinating. There is also a recently published book called ‘Your life as art’ which I’m keen to read too.

I’ll come back to these books once I have tracked them down and read them.

Meanwhile, in a couple of weeks I am going to a Workshop which will be run by an actor, looking at applications of creative techniques in work situations. I’m looking forward to this.

Today’s music:

Miles Davis – Double Image

Jack de Johnette – Dancing with Nature Spirits

And a fair amount of quiet too – ah, the sound of silence.

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Art Therapy

Art therapy – a technical formalisation in language for something that I dabbled with at the start of my career. Back in the 1980s I worked within a team of artists of a wide range of disciplines. I was the poet who mucked about with photography and did the latter very badly (noble ideas without the technical skills). We had fine artists, ceramicists, photographers, dramatists etc. It was great fun. We worked with a wide range of people, leading workshops that were either uni- or multi-disciplinary.

It wasn’t really art therapy as such, because the therapeutic intent was not controlled, although the work we did had a clear impact on many of the people with whom we came into contact.

I mention all of this because I am in the middle of reading a book by Anthony Stevens called ‘Withymead: a Jungian community for the healing arts’. It’s an interesting book, even if the style is a little dry and stuffy. The fascinating thing about it is the fact that this early attempt to establish a therapeutic community which used the arts was not formalised and rigorous. It had a clear emphasis on family, and focused very much on the Jungian ideas about active imagination and use of artistic expression as a way of externalising symbolism.

“The aim of Withymead was to encourage people to live the ‘symbolical life’, for once the conscious personality is open to the meaning of symbols it is forever opened to a source perpetual renewal and replenishment.”

Jung describes the act of ‘active imagination’ as the art of letting things happen.

An interesting aside was the extent to which luck and certain apparently random incidents led to the setting up of Withymead. It was the bombing of WW2 that led to people taking refuge at the house that became Withymead. Acts of synchronicity – it is always worth looking for the purpose in seemingly random incidents!

Reading this takes me back to those days of expression and self-expression. At their best, the team were using the time to express themselves as well as encouraging others to find their voice and express themselves. It was a splendid vision, naïve and full of innocence. But it was the fresh youthfulness of it that made it work. We steered close to the edge at times, but the energy of the whole thing made it work.

I still have material that I was working on from that time. It was during that time that I produced ‘sharp / blue breath’ which was the first collection of my poetry which I would claim to be in my own voice (earlier poems were searching for the voice, working from juvenilia in form). I also worked on a small painted cardboard box which was filled with scrolls and tiny booklets representing my life and inner world. It’s an idea that I never finished, but it still sits in my box of secrets and memories under my desk.

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What’s he building in there?

I’ve been back from holiday for a week now, and things have been really hectic. I’m just finding time to rise out of the chaos and resume the weblog.

The holiday – a week in Languedoc, South France followed by a week on the coast near Begur in Catalonia, Northern Spain. Then, to finish, a weekend in Barcelona. Different cultures, diverse experiences – a fabulous time experienced by the whole family.

High points – all of the Gaudi in Barcelona (especially Sagrada Familia, El Pedrere), the Kandinsky exhibition, the Dali Museum in Figueres, Picasso Museum, waking to the sound of the sea in the mornings, the beach in the cove at Sa Tuna, the medieval town of Pals, the fortified town of Carcasonnes, the tiny harbour of Marseillan.

The huge blast of art, architecture and culture in Barcelona left me thirsting for more time to write.

I took a dozen CDs away, and half way through the holiday the only trace of home sickness was a yearning for the rest of my CD collection.

The CD which has been haunting me over the last couple of months would be ‘blemish’ by David Sylvian. I keep hearing new things in this music in spite of it being so seemingly minimalist.

I didn’t read any poetry this holiday (but I did write two poems). I did read ‘Anil’s Ghost’ by Michael Ondaatje which is a marvellously accomplished novel. I love Ondaatje’s poetic prose style. He is not as experimental as he used to be, but this is a powerful novel.

I’m also part way through ‘Life of Pi’ by Yann Martel (Ondaatje’s fellow Canadian). This is shaping up as a great read – truly original.

Before going away I stumbled across the fact that my local library will arrange an inter-library loan for just GBP 1.50. This means that I can get hold of any book in any UK library for such a paltry sum. I have just managed to track down a copy of ‘Withymead’ by Anthony Stevens which is about the art therapy community in Devon founded by Jungians. To be able to find any book, whether in print or not, is incredible!

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