At the last team meeting before the summer break, I introduced 6 books which have had a particular impact on the way in which I work:

• Michael Bungay Stanier – Do more great work
• William Bridges – Managing Transitions
• Tom Peters – Re-imagining
• David Allen – Getting Things Done
• Robin Sharma – The monk who sold his ferrari
• Stephen Covey – The seven habits of highly effective people

In the meeting we discussed the best way to work with these as a group. We decided that a form of ‘book club’ would be the best idea. So, we will each read one of these books over the period of a month and then have a discussion about it at the next meeting, looking at implications for the way we work as a team.

I guess you could call it a learning academy. I intend to further develop this academy idea as the months go by. I am also keen to look at ways in which we can use videos and other materials to build the learning. Hopefully this will help us as a team to build in a strong value base to our work.

Watch this space….

I love reading Seth Godin’s thoughts on his blog (me and millions of other people). Earlier this year I read his book ‘Linchpin’ and recommended it to people who I work with, because it gives insight into the need to go beyond procrastination. We don’t get round to things on an even bigger scale these days because there are just so many distractions.

Then a couple of weeks ago I bought Godin’s latest book ‘Poke the Box’ which I am about to begin reading.

The link above is to a post on his website which looks at our relationship with authority figures. I like the way he reframes in a really helpful way. Take a look and see if you agree.

ECM is unusual in the world of record labels because it has such a strongly defined aesthetic. The label produces an incredibly diverse range of artists, but there is always that ECM sound which is difficult to define, but very easy to identify.

So, after so much music, I am writing about ECM again now because they have just produced two wonderful albums:

• Jan Garbarek Group -Dresden
• Keith Jarrett – Testament: Paris / London

Both are live albums. I was surprised to realise that this is the first live album for Garbarek. It’s a double album, and captures the excitement of seeing him live. The group has gone through some changes over recent years, partly because of bass player Eberhard Weber’s stroke. He is replaced by Yuri Daniel. This is a tough place to fill – Weber’s playing is so distinctive. Daniel’s playing is beautiful, lyrical and underscores Garbarek’s saxophone perfectly. The other change is Manu Katche on drums – he has worked with Garbarek a lot recently. He replaces Marilyn Mazur. She was always more of a percussionist than a straightforward drummer. Katche brings more of a rock drummer feeling to the music. Between them, Katche and Daniel make for a very different rhythm section which brings some different interpretations of some of the older material. Rainer Bruninghaus remains as the keyboard player, his playing ranging from the frenetic to the achingly lyrical.

The Keith Jarrett album is a triple album covering two live concerts from last year. I’m always amazed by Jarrett’s live work. The idea that he appears on stage to improvise new compositions then and there is remarkable. He says that he always begins with an empty mind – no preconceived ideas. Then, through a series of pieces (short for Jarrett)  he builds a collection of 20 remarkable performances. They are incredibly diverse. The two concerts are very different. As ever, Jarrett is at his best when he searches out a rhythmic melody and then works it to a beautiful conclusion. This is an extremely emotionally laden collection – his best work for years.

So, from two artists who I first heard nearly 35 years ago, come two beautiful albums. A real treat.

If you like the work of Garbarek, and would like to read a book about his music, I think the best book available is probably Michael Tucker’s “Jan Garbarek: Deep Song” – the book focuses on the music of Garbarek but it is also a marvellous exposition of the broader work of ECM.

'Madonna Litta' by Leonardo da Vinci

I’m reading Michael Gelb‘s ‘How to think like Leonardo da Vinci’ which is an excellent book. I’m working through many of the exercises and finding them deeply inspiring. Over the weekend I did the 100 Questions exercise. It’s simple – in one sitting write down 100 questions in your journal that are signficant to you. Don’t worry about grammar or spelling, and don’t worry if they are repetitive. This was a really powerful exercise. I’ve extended the exercise a bit by getting hold of a new notebook where I am going to generate thought-pieces on each of the questions, unpacking what they mean to me.

Anyway, the reason for this post was to highlight one small fact which I came across in the Gelb book, which staggered me. There are only 17 paintings by Leonardo da Vinci which have survived – that’s an amazingly small number. We all know many of these paintings. Of these, several are not finished!

Leonardo also produced an enormous volume of notebooks and drawings. But it’s the idea that he has developed such a formidable reputation as a painter from such a small body of work.

This book, written by James Redfield and Carol Adrienne builds on the original book “The Celestine Prophecy” written by Redfield.

Sometimes these add-on books are just an excuse to sustain an idea, keeping sales going by selling second book to those who bought the original book. In this case though, this books adds a lot to the original work with plenty of thought-provoking insight. It is a fascinating read with plenty of useful exercises. Each chapter takes one of the nine insights from the original texts, expands on the ideas behind the insight and then has a series of exercises for individual use and workshop ideas for group work.

This is a beautiful book about Mahayana Buddhism. Like all of the books I have read by Thich Nhat Hanh, it is written in a stunningly clear and lucid prose. He deals with very complex issues in a deceptively simple way. As a Vietnamese monk living in the South of France, he captures issues of the human condition with great precision. His story about his first love is poignant and thought-provoking.

If you are interested in Buddhism and have not read anything by this author I would urge you to try a book by him. This is a good place to start.